Kara Zor El’s ship is discovered after many years in hiding. Another case of “found” production design, where we started with a near-perfect location #Supergirl
Finding the barn for the barn find of all time…
Category: production design
Where bad things (eventually) happen…
The taxtidermy studio where Norman Bates discovers one of his many “gifts”. Designed for Season 1, Bates Motel.
Taxidermy Studio
Taxidermy Studio
African Veldt in the Fraser Valley
For the film “Tomorrowland” I was given generous latitude by Production Designer Scott Chamblis when creating the vignettes at the end of the film. Since each vignette was it’s own encapuslated story, visual design was essential.
M’yrnn’s last stand for Earth
Good film scenery always looks real. Sometimes it is real. For our climactic “San Andreas fault” scene in Season 3, we filmed in a quarry using very real, very heavy rocks and boulders.
The source of our super powers.
After moving 30 tonnes of rock without breaking a sweat, feeling a little “super” ourselves.
Picture Perfect and ready for David Harewood and Carl Lumbly.
David and Carl blocking
Concept art handed off to visual effects
Lex Luthor has a test for Red Daughter
Russian nuclear reactor created inside a disused battery manufacturing facility
“Found” Production Design
When something is so good and so picturesque, all you need is to add a few elements to help the scene along. Derelict (but still floating) cargo vessel on the northern Sunshine Coast, used for an epic super-battle on the ocean.
automatic250 design 