In the digital age, a spaceship can look like anything. To reimagine it as a 1952 Chevy DeLuxe was a lot of fun. #Supergirl
Kara Zor El’s ship is discovered after many years in hiding. Another case of “found” production design, where we started with a near-perfect location #Supergirl
The taxtidermy studio where Norman Bates discovers one of his many “gifts”. Designed for Season 1, Bates Motel.
For the film “Tomorrowland” I was given generous latitude by Production Designer Scott Chamblis when creating the vignettes at the end of the film. Since each vignette was it’s own encapuslated story, visual design was essential.
South African Game Park
Good film scenery always looks real. Sometimes it is real. For our climactic “San Andreas fault” scene in Season 3, we filmed in a quarry using very real, very heavy rocks and boulders.
The source of our super powers.
After moving 30 tonnes of rock without breaking a sweat, feeling a little “super” ourselves.
Picture Perfect and ready for David Harewood and Carl Lumbly.
David and Carl blocking
Concept art handed off to visual effects
Russian nuclear reactor created inside a disused battery manufacturing facility