For the film “Tomorrowland” I was given generous latitude by Production Designer Scott Chamblis when creating the vignettes at the end of the film. Since each vignette was it’s own encapuslated story, visual design was essential.
South African Game Park
When you’re transferring National City’s most dangerous felons, you need a big bus. And an excellent Transportation Picture Car department.
School Bus – Pre-Transformation
Pre-lighting on stage
Prison Bus Interior
Part of the Tomorrowland vignette series art directed for Scott Chambliss
Good film scenery always looks real. Sometimes it is. For our climactic “San Andreas fault” scene in Season 3, we filmed in a quarry using very real, very heavy rocks and boulders.
The source of our super powers.
After moving 30 tonnes of rock without breaking a sweat, feeling a little “super” ourselves.
Picture Perfect and ready for David Harewood and Carl Lumbly.
David and Carl blocking
Concept art handed off to visual effects
The taxtidermy studio where Norman Bates discovers one of his many “gifts”. Designed for Season 1, Bates Motel.