Peter Bodnarus Art Director | Production Designer
For the film “Tomorrowland” I was given generous latitude by Production Designer Scott Chamblis when creating the vignettes at the end of the film. Since each vignette was it’s own encapuslated story, visual design was essential.
When you’re transferring National City’s most dangerous felons, you need a big bus. And an excellent Transportation Picture Car department.
Part of the Tomorrowland vignette series art directed for Scott Chambliss
Good film scenery always looks real. Sometimes it is. For our climactic “San Andreas fault” scene in Season 3, we filmed in a quarry using very real, very heavy rocks and boulders.
The taxtidermy studio where Norman Bates discovers one of his many “gifts”. Designed for Season 1, Bates Motel.
